Type – Sci-Fi, Jukebox Musical, Spectacle Driven, Nostalgic
If you liked – Beetlejuice the Musical, Groundhog Day, The Rocky Horror Show, Grease
BACK TO THE FUTURE: A nostalgia-fuelled, high-energy ride that proves lightning can strike twice
Adapting Cinema for Stage
Adapting one of cinema’s most beloved cult classics for the stage is no small feat. Back to the Future The Musical is synonymous with 80s nostalgia, iconic performances, and Hollywood magic, elements not easily replicated in a theatre setting. I went in with mixed expectations, having seen the musical on Broadway in 2024. While enjoyable then, I had found it lacking memorability. To my delight, the Australian production currently playing at the Sydney Lyric Theatre completely reignited the spark. This staging captures the fun, energy, and heart of the original film while injecting its own theatrical magic that had audiences cheering all night.
Even for those only vaguely familiar with the film, the musical is easy to follow. The story remains faithful to the original, carrying the same nostalgic beats while cleverly adapting cinematic moments for stage. Most impressively, the iconic DeLorean, central to both the film and the stage show, is brought to life with dazzling effects and seamless visuals. Where one might expect stage limitations, the creative team has instead leaned into theatre’s strengths, crafting moments of magic that rival Hollywood spectacle. Without giving spoilers, one particular moment with the DeLorean, had the audience gasping and cheering in delight.
The Performances
At the heart of the production are its powerhouse performances. Axel Duffy as Marty McFly is a revelation. His uncanny ability to embody Marty makes it feel as though he has stepped straight out of the film, channelling the essence of Michael J. Fox while bringing his own charisma. With infectious energy, razor-sharp comedic timing, stellar vocals, and athletic dance moves, Duffy delivers a performance that is nothing short of electric.
Returning once again to the role that has defined his career in recent years, Roger Bart proves why he remains the definitive Doc Brown. Having performed the character on both Broadway and the West End, Bart’s mastery of Doc is second nature. His eccentric humour, heartfelt delivery, and sheer joy in the role make him an undeniable highlight, and his numbers bring the house down.
Supporting players also shine. Javon King (Goldie Wilson/Marvin Berry) showcases jaw-dropping vocal prowess, turning what could have been minor roles into scene-stealing highlights that had the audience cheering. Ethan Jones as George McFly delivers impeccable comedic timing, crafting a loveable underdog audiences can’t help but root for. Meanwhile, the ensemble injects vitality into every scene, executing complex choreography with ease and driving the show’s high-octane energy.
The Production
The score, too, lands far stronger here than it did on Broadway. Where I had previously found the original songs forgettable, the Australian production brings them to life with such zest that they became instantly playlist-worthy. Standouts included Doc Brown’s hilariously playful numbers ‘21st Century’ and ‘It Works’, both bolstered by clever ensemble staging. ‘Johnny B. Goode’ delivered hearty laughs, while Huey Lewis and the News’ ‘The Power of Love’ sparked sheer bliss, enveloping the audience in nostalgia.
Visually, the production is a marvel. The set design evokes an 80s vision of the future, with glowing light tubes resembling circuit boards and interactive projections that heighten the story’s sci-fi elements. High-quality screens blend seamlessly with live performance, creating immersive sequences that never overshadow the performers. The special effects are equally impressive. While the Broadway production sometimes relied on blindingly bright displays, the Sydney staging uses its resources more judiciously, balancing spectacle with clarity. The result is a smoother, more cohesive theatrical experience.
The choreography further enhances the show’s vibrancy. From intricate ensemble routines to smaller, character-driven moments, the staging consistently matches the energy of the narrative. The athleticism and synchronicity of the cast keep the pace lively and engaging throughout.
It was clear that the audience was having the time of their lives. Waves of laughter, bursts of applause, and audible gasps filled the theatre, culminating in a thunderous standing ovation at curtain call. The nostalgia factor was turned up to full, and fans of the film were not left disappointed.
If there were any weaknesses, they were minor at best. A couple of small prop mishaps occurred, but they were quickly overshadowed by the cast’s professionalism and commitment. Overall, the production succeeds where others have struggled: it pays homage to a cinematic classic without ever feeling like a pale imitation.
Is BACK TO THE FUTURE Worth Seeing in SYDNEY?
Is Back to the Future the Musical worth seeing in Sydney? Absolutely. This production is a testament to how beloved stories can thrive when given the right energy and care. With a phenomenal cast, jaw-dropping effects, and a perfect blend of nostalgia and innovation, it offers both fans of the film and newcomers a thrilling night at the theatre. Even the most devoted Back to the Future aficionados will leave grinning, perhaps even believing in a little theatre magic themselves.
Tickets and Practical Info for BACK TO THE FUTURE in SYDNEY 🎟️
Until 25 January, 2026
Sydney Lyric Theatre,
Pyrmont, Sydney
Language
Performed in English.
Running time
Approximately 2 hours and 40 minutes, including one interval.
Please note
This production contains flashing lights, strobe effects, smoke/haze and pyrotechnics throughout
Tickets: https://backtothefuturemusical.com.au/
CREATIVES Director: John Rando Music and Lyrics: Alan Silvestri Glen Ballard Book / Co-Creators / Original Producers: Bob Gale & Robert Zemeckis Choreographer: Chris Bailey Musical Supervisor, Vocal and Music Arrangements: Nick Finlow Designer: Tim Hatley Lighting Designer: Tim Lutkin and Hugh Vanstine Video Designer: Finn Ross Sound Designer: Gareth Owens Illusion Designer: Chris Fisher Orchestrations: Ethan Popp and Bryan Crook Visual Special Effects: The Twins FX Costume Supervisor: Holly Henshaw Musical Director: Daniel Griffin Resident Director: Leah Howards Resident Choreographer: Matt Lee
CAST Axel Duffy – Marty McFly Roger Bart – Doc Brown Ashleigh Rubenach – Lorraine Baines Ethan Jones – George McFly Javon King – Goldie Wilson / Marvin Berry Thomas McGuane – Biff Tannen Troy Sussman – Alternate Doc Brown Anton Berezin – Strickland Emma Feliciano – Jennifer Parker / Ensemble Will Forgrave – Dave McFly / Alternate Marty McFly / Ensemble Emily Wood – Linda McFly / Ensemble Sienna Embrey – Clocktower Woman / Ensemble Alexandra Cashmere – Ensemble Celine Cleveland – Ensemble Jack Coyne – Swing Taye Grant – Ensemble
