Artist of the Month
Since 2023, we have been making it our mission to highlight a new artist from the Australian theatre scene each month.
This individual could be a performer, director, writer, reviewer, sound designer, musician, lighting designer, set designer, stage manager and so on.
If you feel like you’d know someone who would be perfect, contact us or hit us up on our socials @theatrethoughtsaus.
March - Nikita Waldron
(she/her)
Actor & Playwright
Nikita graduated from NIDA with a Bachelor of Fine Arts in Acting in 2017. Her theatre credits include: the upcoming Amber (The Old Fitz), Girls in Boys Cars (National Theatre of Parramatta), The Tenant of Wildfell Hall (Sydney Theatre Company), What the Ocean Said (Sydney Opera House), Rules for Living (Sydney Theatre Company), Kindness (Griffin Theatre), Lord of the Flies (Sydney Theatre Company), Mosquitoes (Sydney Theatre Company), The Wolves (Belvoir St Theatre), An Enemy of the People (Belvoir St Theatre), girl friend (Belvoir’s 25a) and Youth & Destination (KXT). Her feature film credits include The Bystander Trials, Palm Beach and Top End Wedding. Her TV credits include the upcoming Stan series He Had it Coming, Home and Away, The Letdown and Random and Whacky.
As a writer, her debut play Falling was shortlisted for Playwriting Australia’s Max Afford Award in 2020. She won the Rebel Wilson Comedy Commission for ATYP in 2021 for Amber. She has participated in writers’ rooms for Easy Tiger and Ante Productions and has been a notetaker since 2023 for: Warner Bros., Freemantle, EasyTiger, Goalpost Pictures and Hello Sunshine.
My Story
What inspired you to get involved in theatre?
Growing up, I loved performing. Seeing this passion in me, my parents enrolled me in acting lessons at the age of six. I was a shy kid, but stepping into another world on stage always felt natural and effortless – I couldn’t get enough of it. When I got into NIDA at 19, I started to seriously consider how I could make this my career. I remember realising that acting combines my main skills and interests, including exploring different dialects and voices, harnessing my love of dramaturgy and language and, above all, collaborating with really great people. Alongside my training, I was also lucky enough to start working with some of our nation’s best directors and collaborate with peers who to this day continue to inspire me.
Do you remember the moment you wanted to do this as a career?
The more I learnt about theatre through my training, the deeper my appreciation grew. In my first year out of NIDA, I was fortunate enough to perform in a show at Belvoir with some of our industry’s best, including Kate Mulvany. She has built a sustainable career in both writing and performing and remains an incredible role model to me in both fields to this day. Hearing her and other artists talk about how they navigate the highs and lows of this path and observing their hard work and grit made this career seem more sustainable and not just a far-fetched dream.
What have been the highs of your career so far? What have been the lows?
Every job has been thrilling but each has posed unique challenges. I really enjoyed working on The Tenant of Wildfell Hall a few years ago at Sydney Theatre Company. It brought together a beautiful ensemble of artists, including my dear friend Emme Hoy, who adapted the text, and director Jess Arthur, one of my favourite people to work with. I never thought someone with my cultural background would have the opportunity to perform in a Brontë epic at the Roslyn Packer. Plus, I played two women who fought against the oppressive structures of their time, so that was a lot of fun. I just don’t think it gets much better than that!
Honestly, with time, the lows don’t feel like lows anymore. In hindsight, all the rejections and injuries and tough spells have paved the way for incredible growth and learning. I hope that I somehow maintain this outlook because I know the very nature of this career is that it is unpredictable and not easy but that’s also what makes it exciting and rewarding.
Where do you see yourself going or want to go?
Excitingly, at the end of March and early April, I will be acting in AMBER at the Old Fitz. It’s the play I wrote for the Rebel Wilson Comedy Commission a few years ago. Writing and acting in my own work is definitely a challenge, but I’m really enjoying collaborating with an amazing team, led by our director Mehhma Malhi. It’s remarkable to see different creatives and actors bring to life something that has existed only in my mind for so long.
Our Artists of the Month Gallery
Wondering who we’ve highlighted in the past? Scroll through our gallery of artists below!
Lily Hayman
(she/her)
Lily Hayman is a young writer, director and producer who lives and works on unceded Gadigal Land. She is the current Young Leader and Associate Producer at Shopfront Arts Co-Op, and one half of the all-female team behind Purple Tape Productions. Having received a Bachelor of Performance and First Class Honours (Theatre) at the University of Wollongong, Lily has since created and presented two fully realised productions: Fledgling (KXT 2022, MerrigongX 2021) and The Infinity Mirror (Shopfront ArtsLab 2021, BrandX Flying Nun Residency 2022). She has worked as Assistant Director to Margot Politis with Milk Crate Theatre and has been a member of the Harness Ensemble of artists with and without disability since 2021. In 2023 Lily is looking forward to directing Expiration Date and Party Girl as well as developing her own works Preparing for the Inevitable and Perfect Match.
Maeve Hook
(she/her)
Maeve Hook is a queer director, writer and actor, and co-founder of TART Theatre Collective. Maeve has a rich performance history in circus and is a BFA Acting graduate from Queensland University of Technology. In the final year of her studies, she received the Jennifer Blocksidge Memorial Award, allowing her to train with Shakespeare and Company (Massachusetts USA) post-graduation. She has several independent performance credits, some of which include the title role in ‘Anna Bella Eema’ (Dir. Anja Homburg), Mercutio in ‘Romeo and Juliet’ (Dir. Shaz Mullens, Fresh Theatre) and the lead in Queer historical short film ‘Ballad’ (Dir. Roe Bonnici). Maeve was a chosen playwright for ATYP’s Emerging Playwrights National Studio (2021) and is currently a part of She Writes at Theatre Works (2022-2023). Her directing work has most recently been seen by national and international audiences with the 2022 tour of ‘POLES: The Science of Magnetic Attraction’.
Hayden Tonazzi
(they/him)
Hayden Tonazzi (they/he) is a theatre and musical theatre director, and creative producer based in Gadigal. A graduate of the NIDA MFA Directing program, this year they commence their appointment as Artistic Associate with the Australian Theatre for Young People (ATYP), after being an Associate Artist at the Kings Cross Theatre (KXT).As Director, their play credits include Shack by George Kemp for ATYP, Tell Me Before The Sun Explodes by Jacob Parker for KXT, the Australian Premiere of Significant Other by Joshua Harmon for The New Theatre, This Genuine Moment by Jacob Parker for La Mama & The Old 505. Their musical theatre credits include Miracle City by Nick Enright for NIDA, Carrie: The Musical for The Depot Theatre, Parade at The Seymour Centre, and The Hatpin at The King Street Theatre. This year they will be developing a new work titled Pickled (كبيس) for PYT Fairfield, creating a new youth-devised work titled Stop. Drop. And Listen. for Shopfront Arts, and directing a new Australian play, The Last Train To Madeline by Callum Mackay for Fever103.
Tyler Fitzpatrick
(she/her)
Tyler (she/her) is a stage and production manager, producer, lighting designer and theatre maker currently based on unceded Dharawal Land. She graduated with distinction from the University of Wollongong, earning the Merrigong Theatre Company Production Prize. Tyler has been the Production and Operations Manager at Shopfront Arts Co-Op since 2020 and services arts organisations as a Production Associate with The Paperjam Partners. With Paperjam, she has production managed Jailbaby and Pony (Griffin Theatre Company, 2023), A Practical Guide to Self-Defense (National Theatre of Parramatta/Merrigong Theatre Company, 2022), Nothing (NTofP, 2022), and Dust (Milk Crate Theatre Company, 2022).
Sarah Carroll
(she/they)
Sarah Carroll (she/they) is an award winning Pasifika queer and neurodiverse writer, performer and producer working on Dharug Land (Western Sydney). Sarah has two successful one woman shows under her belt, ‘Cherry’ (Sydney Fringe Award Winners and Hollywood Fringe Nominee) and ‘Unkissed’ (Developed with Shopfront – ArtsLab). They also run their own production company Sour Cherry Productions that has successfully produced works in the indie theatre scene and fringe circuits.
Brea McCarthy
(she/they)
Bria McCarthy (she/her) is a Wiradjuri/Irish writer and theatre-maker working on Dharug and Gundungurra land. In 2019 she wrote and directed her debut play ‘A Game For Flies’, which played at PYT Fairfield. In 2022 her debut manuscript ‘Finding Liminas: The Sudden Tree’ was shortlisted for the Text Prize 2022.
Almitra Mavalvala
(she/her)
Almitra (She/Her) is a Sydney-based, Persian Pakistani, performing artist, writer, composer and independent producer. She holds a Bachelor's Degree in Music (Music Theatre) from the Australian Institute of Music. Almitra’s theatre credits include Fiddler on the Roof (Willoughby Theatre Company) & Kinky Boots (Packemin Production). She was also part of the Feminist Comedy show ‘Tough Titties’ as a featured musical artist. Her screen credits include, a short film, ‘Red Lantern’ (Noah Films, Supporting Female Lead)
Eleni Cassimatis
(she/her)
Eleni Cassimatis (she/her) is a Sydney-based actor, and a graduate of the Actors Centre Australia. Eleni’s theatre credits include productions of Macbeth, Hamlet, The Comedy of Errors and In A Nutshell for Bell Shakespeare. She was also a member of Bell Shakespeare’s national touring company The Players in 2020 and 2021. Eleni’s voice work includes the indie short Time Stamp. Eleni is a proud MEAA member.
Tiffany Wong
Tiffany Wong is a theatre-maker with a disability working across Gadigal and Wurundjeri lands. She is an Australian-born Chinese artist with Singaporean and Malaysian heritage.Tiffany is a director for stage. She is the 2024 Cosgrave Associate Artist for Bell Shakespeare. Her credits include Boom (Slanted Theatre & KXT bAKEHOUSE), Short Blanket (Slanted Theatre & Meraki Arts Bar), Lady Precious Stream (Slanted Theatre & The Flying Nun at Brand X), Three Fat Virgins Unassembled (Slanted Theatre & KXT bAKEHOUSE), and Ching Chong Chinaman (Slanted Theatre). She has also worked as an Assistant Director to Courtney Stewart for Top Coat (Sydney Theatre Company), to Lucy Clements on Iphigenia In Splott (New Ghosts Theatre Company), and as a Directorial Assistant to Richard Carroll on Murder For Two (Hayes Theatre Co), and to Javaad Alipoor on Things Hidden Since The Foundation of the World – Creative Development (National Theatre of Parramatta).
Em Tambree
(they/them)
Em Tambree is an emerging director & producer based in Naarm. Em undertook intensive Musical Theatre training at Centrestage, SHOWFIT (2016) and received their Diploma of Music for Musical Theatre at The Australian Institute of Music (2019). Post graduation & disability diagnosis, Em Tambree's exploration into accessibility within the industry led them to develop experience in almost every aspect of stagecraft.They founded TART Theatre Collective with Maeve Hook in April 2022; an independent theatre company focused on the untold, misheard, and/or ignored stories from underrepresented voices and communities (Company in Residence 2023, The Motley Bauhaus).
Ava Madon
(she/her)
Ava is an Actor and Singer graduating from Lasalle College of the Arts in Singapore. Her work spans theatre, musical theatre and television. She was most recently seen in Sport for Jove’s I Hate People/Timon of Athens, a production praised by the Sydney Morning Herald as “the pinnacle of Shakespeare in Sydney this century”.Her other recent stage credits include If/Then (Neglected Musicals), Venus and Adonis (Sport for Jove),The Lucky Country (Hayes Theatre Co.), Macbeth, Othello (Sport for Jove), Merrily we Roll Along (Hayes Theatre Co.), Bells are Ringing (Neglected Musicals), Titanic the Musical: In Concert (The Marrollo Project) and Cinderella in Into the Woods with both Belvoir and Watch This, for which she was nominated for a Greenroom Award.
Aloma Barnes
(she/her)
Aloma Barnes is a distinguished costume and set designer, actively contributing to both theatre and screen. With a foundation in fashion design, marked by a Bachelor of Arts degree from Mumbai, India, Aloma's passion for storytelling through attire and settings propelled her to pursue further education at the London College of Fashion. There, she completed her Master’s degree in Costume Design for Performance, honing her skills and artistic vision.Her career trajectory includes notable roles, such as a costume designer for various theatre productions in London and a design intern for an Amazon Prime web series in Mumbai.
Jess Zlotnick
(she/her)
Jess is a multi-disciplinary creative living and working in Sydney. She has experience as a writer, director, designer, artist, and musician. Jess graduated from the University of Sydney in 2019 with a double major in Gender Studies and Theatre and Performance Studies. Jess is passionate about diversity and challenging stereotypes through theatre and storytelling.
Ziggy Resnick
(they/she)
Ziggy graduated the NIDA (BFA acting) in 2020 where they worked with and learnt from many inspiring and change makers and artists: Jim Sharman (Twelfth Night), Leticia Caceres (SIX), Priscilla Jackman (Ghosts). Since the institute Ziggy starred in Girls in Boys Cars (Riverside, dir. Priscilla Jackman), Feminazi (Belvoir’s 25A), A is for Apple (Griffin Theatre), How to Defend Yourself (Old Fitz Theatre) and The Eisteddfod (Old Fitz Theatre). Ziggy also toured with The Bell Shakespeare Players in 2022 and worked as a clown on Opera Australia’s Ernani.
Solomon Thomas
Solomon Thomas' work explores the intersection between the physical and digital in theatre, experimenting with how theatre and film can co-exist in a live context. He works as a director, performer, puppeteer, and video designer and is driven by how these practices meet formally. His recent works include POV (Belvoir 2024), Oh Deer! (Rising, 2023), Sex Magic (Griffin 2023), UFO (Griffin 2023), Autotune (Brand X, 2022), The Sucker (Brand X, 2021) and What the Ocean Said (Opera House, 2022). Solomon is a core member of re:group performance collective, who’s work Coil had a national tour with Arts on Tour and was also presented at the Opera House, Mona Foma, PACT and Next Wave.
Zoë Hollyoak (she/her)
Zoë is a Director and Creative Producer who has worked across a range of organisations, including Performance Space, Performing Lines, Perth Institute of Contemporary Arts and Black Swan State Theatre Company of WA. She holds a Bachelor of Performing Arts (Performance Making) from the Western Australian Academy of Performing Arts (WAAPA) and a Master of Fine Arts (Directing) from the National Institute of Dramatic Art (NIDA). Zoë runs essential workers, a Sydney-based Performance Making Group.
Morgan Moroney (he/him)
Morgan Moroney (he/him) is a lighting and video designer working across theatre, opera, dance and installation. A graduate of NIDA, Morgan received the 2020 APDG Emerging Designer for Live Performance Award for his design on GHOSTS (NIDA). Morgan has been nominated three times for a Sydney Theatre Award in Best Independent Lighting Design, winning in 2023 for COLLAPSIBLE (essential workers). He won the 2023 APDG Award in Lighting Design for CLEANSED (Redline Productions). In 2024, Morgan was the recipient of the Michael Northen Award for emerging Lighting Designers, administered by the Association for Lighting Production and Design in the UK. Morgan is one half of independent theatre contingent essential workers.
Ursula Martinez
Writer, performer and comedian, Ursula Martinez is probably best known for her internationally acclaimed and now-infamous cult magic striptease act, Hanky Panky. A star of Olivier Award winning smash-hit cabaret show La Clique she co-created C’est Barbican which also won an Olivier Award for Best Entertainment.Raised in Croydon, she began wowing the crowds with her comic suburban flamenco extravaganza Viva Croydon, described by Attitude magazine as “One of the funniest and most original acts on the London cabaret scene”.Ursula had a huge hit at the 1998 Edinburgh Festival with her highly original theatre show Family Outing, starring herself and her parents which subsequently toured to Europe, the UK and Australia.
Courtney Monsma (she/her)
Courtney Monsma is a musical theatre performer and actor born and raised in Australia. Courtney has been performing since she can remember from a very young age and that love has thrived. The power to inspire and empower audiences through storytelling is something she is passionate about.Courtney graduated from the Queensland Conservatorium Griffith University with a Bachelor of Musical Theatre. She is currently performing in the role of Glinda the Good Witch as part of the national tour of Wicked. She is most known for her breakour role of Princess Anna in Disney’s Frozen Australian Tour, playing opposite the original Australian Elphaba, Jemma Rix. Raised in Croydon, she began wowing the crowds with her comic suburban flamenco extravaganza Viva Croydon, described by Attitude magazine as “One of the funniest and most original acts on the London cabaret scene”.Ursula had a huge hit at the 1998 Edinburgh Festival with her highly original theatre show Family Outing, starring herself and her parents which subsequently toured to Europe, the UK and Australia.
Maybelline San Juan (she/her)
Maybelline is pretty, witty, and funny-but that’s her burden to carry. Like Hannah Montana, she’s both a rising arts producer and emerging artist.Currently the Associate Producer at Sydney Festival, she brings the “Art of Summer” to life each January. Known for her commitment to diversity, accessibility, and sustainability, Maybelline was celebrated as one of Adelaide Festival Centre’s 50 Stories in ‘Celebrating 50 Years’.Maybelline made her artistic debut in the prestigious ‘Class of Cabaret’ at the 2018 Adelaide Cabaret Festival. In 2024, she returned to the stage as a versatile stand-up comedian and cabaret performer. Currently, she is a 2024-2025 artist-in-residence at Shopfront Arts Co-op’s ArtsLab, while regularly featuring on Sydney’s comedy circuits. Maybelline has also showcased her original work at Hayes Theatre Co.’s and with Contemporary Asian Australian Performance.
Ren Williams (she/her)
Ren Williams is an Australian film & theatre actor, having trained with Honours at the Flinders University Drama Centre. Also specialising in directing and writing, Ren is a co- founder of independent theatre company ‘CRAM Collective’.After graduating in 2020, Ren made her directing debut in 2021 with Deadset Theatre Company's show 'Truck Stop' along with winning State Theatre Company SA's Young Playwright Award for her play 'Modified'. In 2022 Ren performed and produced The CRAM Collective's world premiere 'Something Big' (Dir. Connor Reidy), following their sold- out show of 'New World Coming' - a show created in 5 days. Later that year she also performed as five different characters in Kinetik Collective's StateSide show 'Kill Climate Deniers’ (Dir. Clara Solly-Slade). In 2023, Ren starred in the one-woman show ‘Guthrak’ (Dir. Matthew Briggs) at the DreamBIG festival, the USA tour of Bluey’s Big Play (Dir. Rosemary Myers) and Windmill Pictures’ ‘Beep and Mort’ Season 2.
Jennifer Trijo (she/her)
Jennifer Trijo is a Filipino singer, actor, and multi-instrumentalist. She is a graduate of UNSW (Bachelor of Music and Education) and a proud member of the MEAA.Jennifer’s professional theatre credits include: Baruska in Once (Darlinghurst Theatre Company); Janelle Woods/Shirelle, Beautiful – the Carole King Musical (Matt Ward Entertainment); Ms. Mendoza, The Deep North (South Australian Playwrights Theatre); Hua Mulan/Pocahontas/Badroulbadour, Disenchanted (Mad About Theatre); and Kim, Miss Saigon (LWAA | Michael Coppel). Jennifer is a regular featured artist at the OzAsia and Adelaide Fringe Festivals.
