Lyrics by Tim Rice and Music by Andrew Lloyd Webber, Directed by Timothy Sheader, Choreography by Drew McOnie.
A high-octane performance that electrifies the stage with its audacious take on a timeless rock opera
Reviewed by Tessa Miles
Capitol Theatre, Sydney
Until 26th January, 2025
Tickets: https://www.capitoltheatre.com.au/jesus-christ-superstar/
Jesus Christ Superstar at the Capitol Theatre delivers a high-octane performance that electrifies the stage with its audacious take on Andrew Lloyd Webber’s timeless rock opera. This production pulses with raw energy, anchored by show-stopping performances and striking visual storytelling.
Michael Paytner (Jesus) and Mahalia Barnes (Mary Magdalene) deliver powerhouse vocals that carry the emotional weight of the show, elevating their roles into something extraordinary. Paytner’s haunting portrayal of Jesus feels both human and divine, capturing his vulnerability, anguish, and quiet resolve with an intensity that resonates deeply. His vocal range and emotive delivery make every note feel like a plea, a cry, or a declaration, pulling the audience into his inner turmoil. Barnes, meanwhile, brings an unparalleled warmth and soul to Mary Magdalene, her rich and tender voice transforming her songs into heartfelt confessions of love and devotion.
Jesus Christ Superstar, Capitol Theatre (2024). Images by Jeff Busby.
Javon King’s portrayal of Judas is a standout performance, bringing a complex mix of vulnerability, ferocity, and anguish to the character. His commanding stage presence and powerhouse vocals capture the inner turmoil of a man torn between loyalty and disillusionment. King’s ability to navigate Judas’ moral conflict with raw emotion makes his betrayal feel both inevitable and heartbreaking, leaving an indelible impression on the audience.
Reuben Kaye’s flamboyant and razor-sharp take on Herod is a show-stealing moment, blending biting humour with a sinister edge that lingers long after his brief, yet highly memorable scene. Peter Murphy’s Pilate is a study in quiet power and escalating desperation, his nuanced performance capturing the weight of impossible decisions. Elliot Baker’s commanding baritone as Caiaphas adds gravitas to his role, exuding authority and menace, while John O’Hara’s Annas provides a perfect counterpoint with his sly, calculating presence and sharp delivery. Together, these performances add layers of intrigue and tension, elevating the stakes of the narrative.
This retelling of Jesus Christ Superstar proves why this musical remains irresistible
The ensemble is dynamic and vigorous, showcasing choreography that demands as much physicality as it does precision. Their seamless movements and palpable energy underscore the chaos and fervour of Tim Rice‘s unfolding dramatic lyrics.
Visually, this production is a feast for the eyes. The costume design cleverly reflects the social hierarchy, with the suffering and impoverished followers contrasting against the authority of others in the narrative. The set design (Tom Scut) is equally inspired, with the use of the cross as an elevated ramp both a literal and metaphorical highlight—serving as a constant and looming reminder of what was to come, its presence underscored the inevitability of the story’s tragic conclusion.
The story remains as gripping as ever, with this version offering a modern, thought-provoking edge that makes it resonate anew. While not without moments of uneven pacing, the sheer intensity and brilliance of the production keep audiences enraptured. This retelling of Jesus Christ Superstar proves why this musical remains irresistible—delivering spectacle, emotion, and a fresh perspective that demands to be seen.
CREATIVES
Tim Rice. Lyrics
Andrew Lloyd Webber. Music
Timothy Sheader. Director
Drew McOnie Choreography
Tom Scutt. Designer
Tom Deering. Musical Supervisor
Lee Curran. Lighting Designer
Nick Lidster for Autograph. Sound Designer
Alli Coyne. Associate Director
Michael Riley. Associate Musical Supervisor
Ashley Andrews and Christopher Tendai. Associate Choreographer
Shaun Rennie. Associate Director (AU)
Laura Tipoki. Musical Director (AU)
Bree Tipoki. Resident Choreographer (AU)
Gavan Swift. Associate Lighting Designer (AU)
Michael Waters. Associate Sound Designer (AU)
PRODUCERS: JOHN FROST AND DAVID IAN FOR CROSSROADS LIVE AND WORK LIGHT PRODUCTIONS
CAST
Michael Paynter
Jesus (Sydney, Melbourne and Brisbane)
Robert Tripolino
Jesus (Perth)
Javon King
Judas
Mahalia Barnes
Mary
Reuben Kaye
Herod
Peter Murphy
Pilate (Sydney and Perth)
Elliot Baker
Caiaphas
John O’Hara
Annas
Joshua Dormor
Priest | Ensemble
Darcey Eagle
Mob Leader | Ensemble
Josh Gates
Ensemble
Samuel Harmon
Ensemble
Melanie Hawkins
Ensemble
Marie Ikonomou
Ensemble
Graeme Isaako
Simon | Ensemble
Ethan Jones
Priest | Ensemble
Tana Laga’aia
Peter | Ensemble
Bella Massey
Swing
Danielle Matthews
Soul Singer | Ensemble
Calista Nelmes
Soul Singer | Ensemble
Adam Noviello
Priest | Ensemble
Stellar Perry
Soul Singer | Ensemble
Nathan Pinnell
Dance Captain | Swing
Daniel Raso
Fight Captain | Swing
Clay Roberts
Ensemble
Josh Spiniello
Ensemble
Bree Tipoki
Resident Choreographer | Swing
Liam Wigney
Ensemble
